Six questions: Interview with John Corey Whaley, author of Highly Illogical Behavior

So this is an interesting one, mainly because the book deals with a topic I’ve barely tackled: Agorophobia. Today’s book is Highly Illogical Behavior by John Corey Whaley. From the blurb:

Sixteen-year-old Solomon has agoraphobia. He hasn’t left his house in 3 years. Ambitious Lisa is desperate to get into a top-tier psychology program. And so when Lisa learns about Solomon, she decides to befriend him, cure him, and then write about it for her college application. To earn Solomon’s trust, she introduces him to her boyfriend Clark, and starts to reveal her own secrets. But what started as an experiment leads to a real friendship, with all three growing close. But when the truth comes out, what erupts could destroy them all. Funny and heartwarming, Highly Illogical Behavior is a fascinating exploration of what makes us tick, and how the connections between us may be the most important things of all.

1) Did this book come from your own personal experiences with mental illness, or that of someone close to you?

I’d say it was a combination of both, but Solomon’s anxiety is definitely an exploration of my own.

 2) Were you trying to write a story about mental illness, or were you using the agoraphobia to make a broader point? I suspect the answer lies in the middle, and if that’s the case, what made you use agoraphobia specifically? 

While I did set out to tackle mental illness as a subject, I also wanted to make sure the story was really a character study more than anything else—and a way to help readers empathize with someone like Solomon.

3) Your book is clearly remarkably effective at taking shots at the stigma which surrounds mental illness. How did you write a character that was so multi-layered, and in the words of at least one reviewer, so much more than his mental illness?

That’s a tough question to answer! I guess I’d say that I focused really hard on making sure Solomon-and the other characters-all left more of a lasting impression on the reader through their personalities and not their problems.

4) The cover design – with the different colored lines and someone walking in what looks to be a box – is one of the more noticeable covers I have seen. What inspired that?

I can’t take any credit for the cover, but I will say I LOVE IT. It’s simply the chaotic lines of color leading Solomon outside to the crazy world, where his friends are waiting.

5) Members of minority communities tend to suffer even greater from mental illness – can you talk at all about how your book attempted to address the subject of mental illness among the LGBT population, and why you chose to go that route?

As a queer American, and one with mental illness, I’ve seen up close the effects of mental illness on my community. It was important to me portray a young gay man with mental illness who wasn’t defined by EITHER thing solely.

6) As noted in the blurb, one of your main characters tries to “fix” another’s mental illness. What’s your advice to those who think this is a viable strategy?

Anyone who wants to help someone with mental illness deserves a chance to be heard, sure, but it’s very important that those without mental illness understand that you can’t “fix”  a person. Mental illness is wired into a person, so much care, research, and care must be taken when helping someone deal with their illness.

An overview & critique: Depression in fiction books

For reasons that I will inevitably wind up discussing more in-depth later, this is a topic that I am very interested in.  After all, there is no doubt about it: So much of our world is informed by our media, including fiction books.  Major pop culture phenomenons – books like Harry Potter and The Hunger Games, for instance – wind up having a major impact on a whole slew of societal attitudes, everything from the names of our children to the hobbies we play.

Of course this extends to serious issues, like mental health.  As I sat, thinking about this entry, I came to the realization that I cannot think of too many books I’ve read that explicitly feature stories about characters who feature mental illness – even when the book is potentially about something other than mental illness.  This is important from a stigma perspective: I think it is vital that readers hear stories about people with mental illness living a successful life, despite their challenges.

Now, please don’t misunderstand: Just because I haven’t read them doesn’t mean they aren’t out there.  A very quick Google search reveals no shortage of books that discuss exactly this topic.  And, indeed, many of these books touch of mental illness in a more tangential way.

Two young adult books that I’ve read immediately come to mind.  One is Fangirl by Rainbow Rowell, which discusses a young woman moving to college and dealing with a slew of pressures, then finding therapy in her writing.  Another, Anthem of a Reluctant Prophet by Joanne Proulx, features a character who clearly is struggling with depression and anxiety, even though it goes unspoken throughout the novel.

I’m coming at this from the perspective of Young Adult novels, which I must confess, I still enjoy (a quick look at my Goodreads page will confirm this!).  But, from the perspective of mental illness, there is an important reason for discussing this genre in particular: 50% of all mental illness starts at age 14, and 75% by age 24.  If this issue can be addressed early enough – particularly during it’s onset – it can make a big difference.

I suppose my point is this: As best I can tell – and, again, admittedly, I could be wrong, please correct me if I am – it seems like mental illness in fiction is addressed in one of two ways:

  1. It is completely undiagnosed, leaving readers guessing or playing armchair psychiatrists, and that’s never a good idea.
  2. It is the centerpiece of the book.

Don’t get me wrong, neither of these things are necessarily bad in and of themselves.  I’m just having this conversation from a stigma perspective.  The first option listed above can be problematic and fail to fully address a characters illness, which can lead to misguided perceptions about the way that mental illness works.  The second option can be good, but it, too, can make people think that mental illness is somehow more debilitating than it truly is.

Also, please understand, I’m not criticizing any author or book.  Many of the ones that deal with mental illness – directly or indirectly – are powerful, and it’s not possible or fair to be critical of an author simply because they don’t address a particular issue in a way I want to see it done.

That being said, from a stigma perspective, that’s what I’d love to see more of.

Any thoughts to add, or books I am missing?  I’d really love to know – if only to read them!  Please let us know in the comments.